Propeller is cited in two recent articles examining all-male casting and whether it is a sexist practice. Jo Caird "[doesn't] really see how Propeller's all-male policy can be justified" and goes on to
outline the underrepresentation of women in theatre, while The Guardian
comes down on the other side, concluding "single-sex casting remains one of the most effective ways of opening up the gender politics debate in classic plays." [e]
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